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Sven Varkel - Ära Valeta!

Sven Varkel - Ära Valeta!

This is the official full length free release of Sven Varkel’s solo album “Ära Valeta!” (Don’t lie). Feel free to download it and SHARE it! The more you share it the better it gets! :)

http://www.varkel.net

Year: 2007
Quality: 320@MP3
Size:
107.5 MB

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Gallhammer - Ill Innocence

Gallhammer - Ill Innocence

Female fronted black/doom metal from Japan.

Year: 2007
Quality:
256 VBR@MP3
Size:
68.12 MB

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Severe Torture - Sworn Vengeance

Severe Torture - Sworn Vengeance

Severe Torture always seem to get better with every album they release. When they released their debut “Feasting on Blood” what you heard was some good riffs and blistering blast beats like most generic brutal death metal bands. Then, with “Misanthropic Carnage” they showed some signs of maturity with better riffing and song structures. When, they debuted on Earache Records they unleashed “Fall of the Despised” This again was a giant leap forward. Gone were the blast beats from the previous records as well as the simplistic guitar work and in their place was technical drumming as well as the introduction to some memorable leads.

Now, with their fallow up “Sworn Vengeance” they have offered up the best qualities of their three previous releases in one 35 minute onslaught of excellent death metal. The opening track “Dismal Perception” seems to fade in directly from “Fall of the Despised” into a fast paced assault that starts this record off in the right direction. There are some very memorable riffs here this time around such as; the main riff on the track “Repeat Offender” as well as the opening riff to “Countless Villains” and on the track “Buried Hatchet” we are introduced to guest vocal appearances by, Jason Netherton (Misery Index) and Che Snelping
(ex-Born From Pain) which adds an extra punch to an already very brutal song.

On Sworn Vengeance, we find the ever improving Severe Torture putting forth their best album to date and they have certainly established themselves as one of the dominate death metal bands of the 21st century. It seems as thoug they have finally found their niche and with a record like Sworn Vengeance it really makes you anticipate where Severe Torture will go from here.

by serial_killer_miller

Year: 2007
Quality:
192@MP3
Size:
49.54 MB

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Xasthur - Defective Epitaph

Xasthur - Defective Epitaph

Xasthur is a hard band to review. Malefic is an extremely gifted artist, but he lacks some control at times. Many are quick to judge a band who has released 12 pieces in the past 3 years. I would have to say Malefic does put out a lot of shit, and a lot of similar sounding stuff, but he also puts our a lot of great stuff. Thankfully Defective Epitaph is something new. While it’s an obvious Xasthur release, and sounds similar to other releases of his it is also very different in it’s own right.

If you’re new to Xasthur here’s the band in a nutshell. Depressive, dense, ethereal black metal that contains usually a rough production and relies mostly on a wall of guitars and keyboards. This is atmospheric music, expect to feel it rather than listen.

The album starts off at full force, which was a nice surprise. There is no shitty intro, in fact there is not one crappy interlude on this album. The album flows extremely well, no mid album intros that Funeral of Being was plagued with. Along with the great structure i think this is the first time Malefic is playing the drums which is an extremely welcomed change.

Defective Epitaph has the best production of any Xasthur release. It is not clogged like Subliminal Genocide, and it is not thin and empty like The Funeral of Being. Each instrument is given the perfect amount of ’spotlight.’ The guitar is not drowned out and lost as mere fuzz in the background, but rather it retains melody and density similar to that on To Violate The Oblivious, yet somehow a lot darker.
I feel a problem some Xasthur releases suffer is how the instruments clash with one another and the melodies become lost and congested. Defective Epitaph does a great job of melding each aspect of the ‘band’ perfectly. It’s still dense and atmospheric as fuck, but it’s distinguishable.

Each instrument is played and recorded perfectly. The guitars are not indistinguishable fuzz and the keyboards are not obnoxious and overbearing(like with Telepathic). Both the keyboard and the Guitars are responsible for the melodies; yet they never conflict. The keyboards are not cheesy and overdone like they were on previous releases, yet they are dark and sinister; deep and fitting. The guitar plays some great melodies, as well as builds up and maintains the atmosphere. The dominance of melody is traded off seamlessly from guitar to keys and vice versa. The vocals are perfect, Malefic’s howls are unmatched. The distorted and ‘wailing’ quality they contain is chilling. Probably the best change Malefic has made are the drums on this album. I am almost positive the drums are real on this album, they sound great. While sloppy at times, the drums being real is such a big plus that i am willing to give this album an additional 10% just for real drums.

This album flows perfectly. Each song is extremely dense and moody and ties into the one next to it. Most of the album is mid paced, there are sections where Malefic whips out a blast beat and some nice foot work. Even the interludes (Unblessed Be, Dehumanizing Procession, and Purgatory Spiral) are great, in fact Dehumanizing Procession might be my favorite track. The only song i dislike and i feel like is worth skipping is Legacy Of Human Irrelevance, but even so it’s not that bad, i just feel the drums are mixed too high on it.

Overall this might be one of Xasthur’s best albums, it’s a great place of newbies to begin and a very solid Xasthur release(which is a hard thing to come by). Xasthur is band that seems to put out too much for its own good, so don’t be close minded when giving this album a try. This is a pick for ‘07 and a great album for any BM fan, or fan of atmospheric music.

by Earthad1000

Year: 2007
Quality: 166@MP3
Size:
95.8 MB

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Jig Ai - Jig Ai

Jig Ai

Extra guttural down tuned gore/grind from Czech Republic with an obsession with violent anime.
This disc has all the elements of the perfect gore/grind release. Pitch shifted
vocals, flying drums and slow parts that make you want to punch someone in
the face!

Year: 2006
Quality: 320@MP3
Size:
72.52 MB

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Mortician discography

Mortician band

Mortician is a deathgrind two piece band from Yonkers, New York founded in 1989. They have released most their albums since the House by the Cemetery EP on Relapse Records but have released their latest album on their own label, Redrum records. They have toured several times through America and Europe. The band is heavily inspired by horror movies, which is expressed in the lyrics, the artwork and the use of samples throughout their discography. They’re mainly characterized by their brutally heavy riffs and are widely considered to be the most extreme metal band in existence.

I.

Contains following albums:

  • Brutally Mutilated (Demo) (1990)
  • Mortal Massacre (1991)
  • House By The Cemetery (1996)
  • Hacked Up For Barbecue (1996)
  • Zombie Apokalypse (199 8)
  • Chainsaw Dismemberment (1999)
  • Domain of Death (2001)
  • The Final Bloodbath Session (2000)
  • Darkest Day Of Horror (2003)
  • Zombie Massacre (2004)
  • Re Animated Dead Flesh (2004)
  • VA - Tribute To Mortician (2007)

Quality: 192 - 320/VBR@MP3
Size: 960 MB

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Slayer discography

Slayer band

Slayer is an American thrash metal band founded by guitarists Jeff Hanneman and Kerry King. Slayer rose to fame as a leader of the American thrash metal movement with their 1986 release Reign in Blood, which has been called “the heaviest album of all time”. The band is credited as one of the “Big Four” thrash metal bands, along with Megadeth, Metallica, and Anthrax.

Slayer is known for its musical traits, involving fast tremolo picking, guitar solos, double bass drumming, and shouting vocals. The band’s lyrics and album art, which cover topics such as serial killers, Satanism, religion and warfare have generated album bans, delays, lawsuits and strong criticism from religious groups and the public.

Since their debut record in 1983, the band has released two live albums, one box set, two DVDs, two EPs, and ten albums, four of which have received gold certification in the USA. The band has received two Grammy nominations, winning one in 2007 for the song “Eyes of the Insane”, and headlined music festivals worldwide, including Ozzfest, The Unholy Alliance and the Download Festival.

I.

Contains following albums:

  • Show No Mercy (1983)
  • Haunting The Chapel EP (1984)
  • Live Undead (1984)
  • Hell Awaits (1985)
  • Reign In Blood (1986)
  • South Of Heaven (198 8)
  • Seasons In The Abyss (1990)
  • Decade Of Aggression (1991)
  • Divine Intervention (1994)
  • Unsiputed Attitude (1996)
  • Diabolus In Musica (199 8)
  • God Hates Us All (2001)
  • Soundtrack To The Apocalypse (2003)
  • Christ Illusion (2006)

Quality: 320@MP3
Size: 1.81 GB

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Anal Nosorog - Condom Of Hate

Anal Nosorog - Condom Of Hate

ANAL NOSOROG is a grindcore\goregrind or how they like to say nu-goregrind band from Moscow, Russia. This album is their latest one.

NB! Use http://tracker.torrenty.org:6969/announce as primary tracker if have any problem.

Year: 2007
Quality: 256@MP3
Size:
59 MB

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Benighted discography

Benigh band

Benighted are a brutal blackened death metal band formed in Saint-Étienne, Rhône-Alpes, France in May 1998.

Main influences for Benighted include Cannibal Corpse and Marduk. Benighted were, at their beginning, a mix of death metal and black metal. Benighted’s songs are many times about psychology.

Their first produced album was rapidly recorded. It is titled Benighted, and contains seven titles reflecting the band.

Psychose is the second album by the band, more influenced by technical death metal. The group had some difficulties recording this album, however.

The third album, put out by “Adipocère Records”, was more successful than their previous album Psychose. This album, titled Insane Cephalic Production, demonstrated a powerful sound and a more honest approach. In their return to the recording studio “Kohkeller Studio” in Germany, Benighted immediately go back to work and take much participation in the French underground scene.

The fourth album Identisick was released in August 2006, again on the label “Adipocère Records”. This album is also available in Limited Edition, which contains a bonus DVD that features videos of concerts, and recording in the studio. In Identisick, there’s a slight Black Metal influence as found in the first album (although much more discreet).

I.

Contains following albums:

  • Benighted (2000)
  • Psychose (2002)
  • Insane Cephalic Production (2003)
  • Identisick (2006)

Quality: 128, 192, VBR@MP3
Size: 244.61 MB

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Dismember discography

Dismember band

The band formed in Stockholm in 1988. After a hiatus, the band began recording in earnest in 1991 and released their debut, Like an Ever Flowing Stream in 1991. The album became an early example of Scandinavian death metal and established the band’s fanbase, which grew with the release of Pieces (1992). The song “Skin Her Alive” prompted an obscenity charge in the United Kingdom, against which the band successfully defended themselves.

In 1993 Dismember released Indecent & Obscene, their most successful album ever, which featured their most famous theme: “Dreaming in Red” videoclip was shown very frequently in MTV’s Headbanger’s Ball.

Like many of the other Scandinavian death metal bands, Dismember began softening their sound in the mid-1990s, with 1995’s Massive Killing Capacity more melodic approaches, which had a good public response. Nevertheless, they attempted a return to style with 1997’s Death Metal, which ultimately became a sales disappointment.

In 2000, attempting to recover some power of their first two albums, and thus the once large fanbase, a much heavier album was released. Musically somewhere between Indecent and Obscene and Massive Killing Capacity, Hate Campaign was deliberately not taken seriously by Nuclear Blast, since this was the last album to edit for Dismember. Instead Nuclear Blast preferred to have Dismember as an icon from the past (symbolised by Like an Ever Flowing Stream and Indecent and Obscene) and kept investing in secure profits, exploiting these first two albums, releasing new special re-editions.

No new contract was negotiated since Nuclear Blast was interested in laying off the traditional death metal bands and Dismember themselves were unsatisfied with Nuclear Blast’s deliberate poor job done for Hate Campaign.

Dismember set a new path and signed for Karmageddon Records. In 2004, they released their sole album with that label titled Where Ironcrosses Grow and sounds close to Hate Campaign and is heavily inspired by Iron Maiden and Autopsy.

They switched record companies again in 2005, signing to Regain Records now, who bought the rights to their earlier albums as well and released them as luxury digipak editions. In 2006, Dismember released their seventh album The God That Never Was continuing in the style of its predecessor. The band spent February on the road in Europe. In November 2006, Dismember toured Europe as part of the Masters of Death tour, with Grave, Unleashed, Entombed and Exterminator.

I.

Contains following albums:

  • Like an Ever Flowing Stream (1991)
  • Indecent & Obscene (1993)
  • Massive Killing Capacity (1995)
  • Death Metal (199 8)
  • Hate Campaign (2000)
  • Where Ironcrosses Grow (2004)
  • The God That Never Was (2006)

Quality: 256@MP3
Size: 586.46 MB

Thanks goes to http://www.heavytorrents.org/!

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